IN THE RIALTO

The Booze by Charlie Bird

THE BOOZE   by now, the booze is you, you are the booze, mid-rant you stand up too fast, keel over, turn your ankle and I'm supposed to help you up. Oh! the heat and stench of you cursing the world, cursing me, you burst into tears, blurt, 'I'm hurt', that is:...

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A challenge and response

In your editorial to Rialto 84 you challenged your readers to challenge you and Fiona. Taking you at your word, here’s my challenge.

Your Editorial vaunts the magazine’s eclecticism. What struck me however was not the wide ranging diversity of the poems in this issue…

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Sanctuary by Kate White

I admire the way this poem dances between the worlds of the medieval anchoress and the modern urban landscape ( I think this phone box is historically a bit earlier than now, sometime before we all got hold of mobile phones). I like the playful contrasts between the language of ‘epiphany’ and ‘anointed’ and that of the ‘closed off-licence’ and the lack of sex workers ‘cards’…

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About the rialto

WELCOME

Welcome to the website for The Rialto, where you can find out who we are and what we do, read poems from the magazine, and connect up with our social media pages. You can buy subscriptions, single copies, pamphlets and books. You can learn how to submit your poetry for possible publication, and you can read articles and blogs by the editors, poets and guest writers.

The Rialto magazine is edited by Michael Mackmin working with Rishi Dastidar, Edward Doegar, Will Harris and Degna Stone, who are graduates of our Editor Development Programme.

We’d like to say thank you to our loyal subscribers and to the Arts Council of England whose support and encouragement over years have made possible The Rialto. We invite you, reader, to join the team: help make poetry happen by subscribing now.

“The Rialto is the poetry magazine to read – publishing poems that are formally inventive and alive to the ‘here and now’ of the world, but always with a commitment to the humane and compassionate qualities I believe the best poetry has. It has led the way in nurturing new talent.”

Hannah Lowe

THE MAGAZINE

The founding editors, Michael among them, believed in a ‘Republic of Poetry’, an inclusive and diverse world of poetry, one that was open to experiment in form and content. We strive to keep this vision alive.

The magazine appears three times a year and each issue, with its spacious A4 pages, has fifty or so poems, an editorial and occasional, commissioned, prose pieces. Most of the space is occupied by the best new poems we can find, all wrapped up in our famously vibrant beautiful covers.

The Rialto has been called ‘Simply the best’ by Carol Ann Duffy and ‘A terrific magazine’ by Seamus Heaney.

BOOKS AND PAMPHLETS

At the start of the new millennium The Rialto published a short run of first collections. In 2005 we turned our energy to publishing pamphlets and began our Bridge Pamphlets list. These have so far been by poets who we’ve asked to submit work, but this year we intend opening out the opportunity to have a pamphlet published. Do not submit yet, but do watch the website for an announcement. Oh, and we  haven’t forgotten about first collections – we launched Dean Parkin’s The Swan Machine at last autumn’s Aldeburgh Poetry Festival.

Laura Scott’s pamphlet What I Saw won the Michael Marks Award in 2014, and three of the early first collections were winners of major awards.

“The magazine is consistently one of, if not the best spotter of emerging talent in the UK – as a writer you know that you have arrived if one of your poems goes in. It’s more than an imprimatur of quality – it’s a rite of passage.”

Rishi Dastidar

Competitions

Rialto Open Pamphlet Competition

The Rialto’s Open Pamphlet Competition,is now closed and awaiting judging please keep an eye on our social media or sign up to our newsletter for more information.

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Rialto poetry, blogs and news

POEMS IN THE RIALTO

The purpose of this section of the site is to allow us to showcase or preview poems in our publications.
We hope to invite writers of the poems to respond and give their view of the work.

Sanctuary by Kate White

I admire the way this poem dances between the worlds of the medieval anchoress and the modern urban landscape ( I think this phone box is historically a bit earlier than now, sometime before we all got hold of mobile phones). I like the playful contrasts between the language of ‘epiphany’ and ‘anointed’ and that of the ‘closed off-licence’ and the lack of sex workers ‘cards’…

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An undesirable garden by Janet Rogerson

Most people are used to cement being delivered in ready-mix lorries, but it’s possible to mix your own. I spent a certain amount of time staring at cement mixers as a child, so, although one of our readers didn’t get the opening three lines, I got them entirely.

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The Seagull now eating my sandwich by Emily Wills

I’m usually wary of poems where the title runs straight into the first line, but this works, enlarging the immediacy of the ‘NOW’, the shock of the event. There’s such a lot going on in this poem (and here’s one of the whys of my liking poetry, its ability to layer so much together in short spaces).

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THE BLOG

This tide of Humber – Imtiaz Dharker

The idea of poems crossing borders into different art forms has always excited me, and the BBC’s Contains Strong Language festival offered a chance for multiple crossings between dance, music and poetry. My poem This Tide of Humber, commissioned by the BBC for...

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Diamond Dogs Rule OK

Writing The Hounds and their Half-Hound Master Bowie’s Diamond Dogs was originally meant to be a sprawling stage show – a glam rock dystopia on roller skates. Its heady post-apocalyptic imagery and dramatic shifts in mood and tone certainly give it the feel of...

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On ‘Station to Station’

On ‘Station to Station’ Station to Station is my favourite David Bowie album, and it seemed the natural starting point when I was asked to write a poem about the Dame. Its immediate successor, Low, is the better, more important record but Station to Station has this...

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SEAN WAI KEUNG

‘i think i want to write about race’ really thats really cool can you do that arent you white o so you decided to go full american then will you send me your poems i think thats a good move for you are they going to be performance poems i thought you hated that sort...

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