{"id":5894,"date":"2017-02-08T14:40:50","date_gmt":"2017-02-08T14:40:50","guid":{"rendered":"https:\/\/www.therialto.co.uk\/pages\/?p=5894"},"modified":"2017-03-10T14:10:37","modified_gmt":"2017-03-10T14:10:37","slug":"to-david-foster-wallace","status":"publish","type":"post","link":"https:\/\/www.therialto.co.uk\/pages\/2017\/02\/08\/to-david-foster-wallace\/","title":{"rendered":"TO DAVID FOSTER WALLACE  by Ben Wilkinson"},"content":{"rendered":"<p>[See end of post for image credit]<\/p>\n<p><strong><br \/>\nTo David Foster Wallace\u00a0\u00a0 by Ben Wilkinson<br \/>\n<\/strong><\/p>\n<p>Since I was old enough to know myself<br \/>\nI\u2019ve been trying to figure it out \u2013<br \/>\nthe constant gnawing sense of having<br \/>\nhad and lost some infinite thing,<br \/>\nlike half the time I\u2019d chuck it all in;<br \/>\nthrow the whole lot for a song.<\/p>\n<p>I\u2019ve been thinking it over again,<br \/>\nbut more than that \u2013 it\u2019s always there<br \/>\nthough you can dupe yourself into<br \/>\nthinking it\u2019s not, but <em>dupe<\/em> is wrong:<br \/>\nit&#8217;s good as gone just so long<br \/>\nas I keep on, know that it\u2019s waiting.<\/p>\n<p>You know what I mean. You know<br \/>\nlike you knew what everyone with an ounce<br \/>\nof self-reflection feels or will feel,<br \/>\ncan&#8217;t put into words \u2013 my chest<br \/>\nbumps like a dryer with shoes in it.<br \/>\nI feel despair. The word\u2019s overused<\/p>\n<p>and banalified now, despair,<br \/>\nbut it\u2019s a serious word and we\u2019re using it<br \/>\nseriously. It\u2019s not desiring the fall;<br \/>\nit\u2019s fearing the flames. It takes<br \/>\ngreat personal courage to appear weak.<br \/>\nWe all worship some hidden belief.<\/p>\n<p>Here\u2019s mine: that if I prove enough<br \/>\nto myself I might stop and think<br \/>\ndeep down, I\u2019m not a piece of shit.<br \/>\nGet it? No punchline, just this sick<br \/>\ninertia turning in the stomach,<br \/>\nlike the moment before<\/p>\n<p>the accident happens, stretched out<br \/>\nindefinitely. Diluted panic:<br \/>\ndissolve one part into five parts<br \/>\nexcuse for a human being.<br \/>\nBrief interviews with hopeless men.<br \/>\nThat\u2019s shit: I can\u2019t make you<\/p>\n<p>feel what I felt. So I try again \u2013<br \/>\nstuck after work in some queue,<br \/>\nlike you, like all of us going about<br \/>\nthe tedium that strings our lives<br \/>\ntogether: paperchain people,<br \/>\nbaskets lined under strip-lights.<\/p>\n<p>Zone out the muzak. Focus. Try<br \/>\nto ease the unpindownable feeling<br \/>\nof hopelessness, hard frustration:<br \/>\nchoose to see this moment<br \/>\nas radiant within the cosmos,<br \/>\nor bring another interpretation.<\/p>\n<p>We\u2019re all utterly alone, but we\u2019re<br \/>\nutterly alone in this together.<br \/>\nTotal and particulate as weather,<br \/>\nthis queue shares its riffs<br \/>\non all our dreams and nightmares<br \/>\nwith each other, though all of us<\/p>\n<p>wait for something to happen<br \/>\nas if we aren\u2019t part of it, hurrying<br \/>\non to somewhere else. David,<br \/>\ndays I\u2019m up to here with this bullshit.<br \/>\nI know I\u2019m not the only one.<br \/>\nYou\u2019re long gone, and anyway<\/p>\n<p>no prophet. No-one can grant us<br \/>\nthe will, patience or grace to go on;<br \/>\nleast of all the self-loathing, cut-up<br \/>\nfool I\u2019ve become, or always was.<br \/>\nTime waits for no man \u2013<br \/>\na platitude you\u2019d have ridiculed<\/p>\n<p>only to then prove true. Time,<br \/>\nas the poet said, licks its steady way<br \/>\nthrough stone \u2013 though it can stand<br \/>\nstill, if you really want it to.<br \/>\nTo which: if you buy that, you\u2019ll buy<br \/>\nanything. But I remember<\/p>\n<p>running pure gradient in wind and rain,<br \/>\nmy breath dogged on the fellside<br \/>\nonly to round a corner into a peace<br \/>\nI\u2019d never known awake: just the sound<br \/>\nof my bolting heartbeat, as rippled<br \/>\nsunlight carried across the tarn. I go<\/p>\n<p>back to that time and again, when the<br \/>\nlistless dark starts to creep in. But I sound<br \/>\nlike I\u2019m preaching, and that\u2019s not what<br \/>\nI meant \u2013 your smarts always came<br \/>\nwithout the pious crap. You never know<br \/>\nwhen it\u2019s coming, and that\u2019s the kicker<\/p>\n<p>alright. Someone once called you<br \/>\nthe voice of your generation; I\u2019ll buy that,<br \/>\neven though you\u2019d shrug it off. This is all<br \/>\nwe\u2019ve got. I hit my thirties still hoping<br \/>\nagainst hope I can turn meagre words<br \/>\ninto actions. Wish me way more than luck.<\/p>\n<ol>\n<li>The American novellist and essayist David Foster Wallace (from here on, DFW) was born in Ithaca, New York on 21 February 1962, and died in Claremont, California on 12 September 2008.<\/li>\n<\/ol>\n<ol start=\"2\">\n<li>I think that those are all the sufficient details you need to enjoy the poem \u2018To David Foster Wallace\u2019 by Ben Wilkinson.<\/li>\n<\/ol>\n<ol start=\"3\">\n<li>I hesitate so early in the blog to send you off elsewhere, but if you\u2019d like to find out more about him before carrying on with this, and \/ or re-reading the poem, well, here is the Wikipedia page: <a href=\"https:\/\/en.wikipedia.org\/wiki\/David_Foster_Wallace\">https:\/\/en.wikipedia.org\/wiki\/David_Foster_Wallace<\/a> and here is what is commonly thought of as the best \/ most comprehensive \u2018fan\u2019 website on \/ about him: <a href=\"http:\/\/www.thehowlingfantods.com\/dfw\/\">http:\/\/www.thehowlingfantods.com\/dfw\/<\/a><\/li>\n<\/ol>\n<ol start=\"4\">\n<li>No doubt, as fine, educated and cultured readers, you will at least have heard of his most famous work, <em>Infinite Jest<\/em>.<\/li>\n<\/ol>\n<ol start=\"5\">\n<li>If not read it. I mean, even people who really, really like DFW\u2019s work have not read it.<\/li>\n<\/ol>\n<ol start=\"6\">\n<li>I mean, they will say they have, but then you look them in the eye, and ask them again, and they\u2019ll cough, splutter a bit and say, \u201cWell, have you?\u201d<\/li>\n<\/ol>\n<ol start=\"7\">\n<li>And then you\u2019ll avoid their eye for a bit.<\/li>\n<\/ol>\n<ol start=\"8\">\n<li>I digress.<\/li>\n<\/ol>\n<ol start=\"9\">\n<li>I digress with a purpose, as at first glance this, this digression with a purpose, could be described as a fair summary of DFW\u2019s main rhetorical trope, across both his fiction and his non-fiction.<\/li>\n<\/ol>\n<ol start=\"10\">\n<li>The immersion in, the larding on of detail and data, fact and fact, until clauses, sentences could bear no more. And yet they never broke.<\/li>\n<\/ol>\n<ol start=\"11\">\n<li>Of course, he always got to his point in the end.<\/li>\n<\/ol>\n<ol start=\"12\">\n<li>But my word if it didn\u2019t feel like he had told you *everything* about a particular subject first.<\/li>\n<\/ol>\n<ol start=\"13\">\n<li>The magical thing was though, that if you were of the right cast of mind, this prose technique felt like a revelation.<\/li>\n<\/ol>\n<ol start=\"14\">\n<li>Like someone had finally \u2013 finally! \u2013 captured the unceasing skittering of thoughts, non-sequiturs, conversational balloons, random musings, japes, lunacy &amp;c that raced across your brain, captured them, put them on a page, then presented them back to you and said: \u201cSee, you are not the only one who thinks like this.\u201d<\/li>\n<\/ol>\n<ol start=\"15\">\n<li>And, if exposed to this at the right time, and the right age, well, it\u2019d be enough to make you his for life.<\/li>\n<\/ol>\n<ol start=\"16\">\n<li>By his, I don\u2019t mean in a biblical or prophet sense.<\/li>\n<\/ol>\n<ol start=\"17\">\n<li>Though since he has died, that is almost precisely what some people have set DFW up to be, a charge that Wilkinson acquits him of, for him, Wilkinson, at least.<\/li>\n<\/ol>\n<ol start=\"18\">\n<li>No, what DFW could give you, through his style, his maximalist style (which certain critics came to christen \u2018hysterical realism\u2019) was the sense \u2013 the knowledge \u2013 that someone out there was asking the right questions.<\/li>\n<\/ol>\n<ol start=\"19\">\n<li>About how to live. How to be.<\/li>\n<\/ol>\n<ol start=\"20\">\n<li>Which is what we want from our big, serious writers.<\/li>\n<\/ol>\n<ol start=\"21\">\n<li>Not just entertainment. But the \u2018truth\u2019.<\/li>\n<\/ol>\n<ol start=\"22\">\n<li>Someone who, as Wilkinson says can help with the following:<\/li>\n<\/ol>\n<p style=\"padding-left: 60px;\">Since I was old enough to know myself<br \/>\nI\u2019ve been trying to figure it out \u2013<br \/>\nthe constant gnawing sense of having<br \/>\nhad and lost some infinite thing,<\/p>\n<ol start=\"23\">\n<li>Now, I should at this point make clear that, on this reading Wilkinson has accurately captured what will become over time, the preferred image of DFW that other writers, scholars, the academy will wish to give him.<\/li>\n<\/ol>\n<ol start=\"24\">\n<li>The Midwestern moralist, the man who in rejecting the East Coast \/ NYC literary establishment that he could have chosen to have lived in \u2013 dominated \u2013 instead found his way to a greater nobility \/ sense of purpose etc etc.<\/li>\n<\/ol>\n<ol start=\"25\">\n<li>(BTW, beware death doing this to the reputation of a writer you may love.)<\/li>\n<\/ol>\n<ol start=\"26\">\n<li>The writer who has the potential to become \u2013 hell, has actually become \u2013 the object of a devoted cult.<\/li>\n<\/ol>\n<ol start=\"27\">\n<li>And this is where the poem is really good, as it absolutely nails why this might be the case, why DFW attracts the attention of over-earnest, over-educated young men who haven\u2019t yet learnt that at times it is fine not to think if it helps you to survive.<\/li>\n<\/ol>\n<ol start=\"28\">\n<li>I speak of what I know, as I was that over-earnest, over-educated young man.<\/li>\n<\/ol>\n<ol start=\"29\">\n<li>And I fear that I still am, despite getting older.<\/li>\n<\/ol>\n<ol start=\"30\">\n<li>And, bluntly, Wilkinson has me bang to rights: \u201cNo-one can grant us \/ the will, patience or grace to go on; \/ least of all the self-loathing, cut-up \/ fool I\u2019ve become, or always was.\u201d<\/li>\n<\/ol>\n<ol start=\"31\">\n<li>I suppose I should at this point draw your attention to the interpolations of DFW\u2019s work that litter the poem; but you know what, I\u2019m really not a fan of that sort of textual Cluedo when it comes to reading a poem.<\/li>\n<\/ol>\n<ol start=\"32\">\n<li>Suffice to say that, very obviously works by DFW referenced in the poem include <em>Brief Interviews with Hideous Men<\/em>, a collection of short stories, and <em>This is Water<\/em>, a printed version of a commencement address that DFW gave at Kenyon College in 2005, and which has more than anything, given him the status that he now has.<\/li>\n<\/ol>\n<ol start=\"33\">\n<li>Even if we fans of his fight shy of it.<\/li>\n<\/ol>\n<ol start=\"34\">\n<li>Because much as it pains me to take issue with the poem, I feel I have to.<\/li>\n<\/ol>\n<ol start=\"35\">\n<li>Because if this is your only exposure to DFW, well, I feel you\u2019ll get a very one-dimensional view of him.<\/li>\n<\/ol>\n<ol start=\"36\">\n<li>And part of the trouble with trying to encapsulate him is the fact that his genius was so baggy, so capacious, that it could stretch across anything, and roam through all sorts of intellectual terrains.<\/li>\n<\/ol>\n<ol start=\"37\">\n<li>So he wasn\u2019t just a Midwestern moralist. But also (deep breath): a philosophy major; a mathematician, or at least adept enough to write a book about infinity which was accessible to inclined layman (I know as I read that book); a snoot (his way of saying an extreme usage fanatic when it came to langauge); an addict; a fan of hip-hop; a tennis player (and a pretty good one); and potentially (as I don\u2019t feel versed enough to judge either way) a misogynist.<\/li>\n<\/ol>\n<ol start=\"38\">\n<li>I\u2019m aware that I\u2019ve thrown that last one out there without any form of explanation whatsoever. Trust me, I\u2019m really not the person to wade in to it, and express a view either way.<\/li>\n<\/ol>\n<ol start=\"39\">\n<li>And did I mention he was funny? Fucking hell, he was at times an absolute scream.<\/li>\n<\/ol>\n<ol start=\"40\">\n<li>Imagine Garrison Keilor on speed, where nothing \u2013 absolutely nothing \u2013 would escape his eye.<\/li>\n<\/ol>\n<ol start=\"41\">\n<li>And he was very much an alpha male too, one very aware of his position in the canon of American writers, one always worrying about where he stood in relation to friends and rivals, such as Jonathan Franzen.<\/li>\n<\/ol>\n<ol start=\"42\">\n<li>I say all this not to in any way suggest Wilkinson\u2019s reading of DFW is in anyway wrong, for it is not and it is very, very true.<\/li>\n<\/ol>\n<ol start=\"43\">\n<li>But it is not all.<\/li>\n<\/ol>\n<ol start=\"44\">\n<li>And I would hate for you to think that once you have read this poem, you have \u2018done\u2019 DFW in some way.<\/li>\n<\/ol>\n<ol start=\"45\">\n<li>Because you really haven\u2019t.<\/li>\n<\/ol>\n<ol start=\"46\">\n<li>You haven\u2019t really begun.<\/li>\n<\/ol>\n<ol start=\"47\">\n<li>You have seen a glimpse of a kind, keening intellect wrestling with the world as it is, and as it could be, trying to reconcile his place within it.<\/li>\n<\/ol>\n<ol start=\"48\">\n<li>And treating this challenge with the ultimate seriousness it deserves.<\/li>\n<\/ol>\n<ol start=\"49\">\n<li>Because it is the true challenge of life.<\/li>\n<\/ol>\n<ol start=\"50\">\n<li>And I haven\u2019t even mentioned the footnotes.<\/li>\n<\/ol>\n<ol start=\"51\">\n<li>Another time.<\/li>\n<\/ol>\n<p><em>Rishi Dastidar<\/em><\/p>\n<p>[Image at top is from The Glossary\u2019s visual interpretation of the original recording (abridged) of DFW\u2019s speech. <a href=\"http:\/\/www.openculture.com\/2013\/05\/david_foster_wallaces_2005_commencement_speech_this_is_water_visualized_in_new_short_film.htm\">See here<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[See end of post for image credit] To David Foster Wallace\u00a0\u00a0 by Ben Wilkinson Since I was old enough to know myself I\u2019ve been trying to figure it out \u2013 the constant gnawing sense of having had and lost some infinite thing, like half the time I\u2019d chuck it all in; throw the whole lot [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":5895,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[204],"tags":[],"class_list":["post-5894","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry"],"_links":{"self":[{"href":"https:\/\/www.therialto.co.uk\/pages\/wp-json\/wp\/v2\/posts\/5894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.therialto.co.uk\/pages\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.therialto.co.uk\/pages\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.therialto.co.uk\/pages\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.therialto.co.uk\/pages\/wp-json\/wp\/v2\/comments?post=5894"}],"version-history":[{"count":6,"href":"https:\/\/www.therialto.co.uk\/pages\/wp-json\/wp\/v2\/posts\/5894\/revisions"}],"predecessor-version":[{"id":6100,"href":"https:\/\/www.therialto.co.uk\/pages\/wp-json\/wp\/v2\/posts\/5894\/revisions\/6100"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.therialto.co.uk\/pages\/wp-json\/wp\/v2\/media\/5895"}],"wp:attachment":[{"href":"https:\/\/www.therialto.co.uk\/pages\/wp-json\/wp\/v2\/media?parent=5894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.therialto.co.uk\/pages\/wp-json\/wp\/v2\/categories?post=5894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.therialto.co.uk\/pages\/wp-json\/wp\/v2\/tags?post=5894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}